Monday, October 24, 2011

Founder of "Wiccapedia" Burned at the Stakes



This phony news story was written for the Halloween issue of the Advance-Titan in 2006. The main reason why I'm posting it (five years later) is because it seems like a timely and faintly relevant piece to read in late October.


Since its formal inception in 2001, Wikipedia has risen to prominence as one of the most visited sites on the internet. Wikipedia serves as a vast electronic encyclopedia, providing users with information on everything from Abolitionism to ZZ Top.

The site has been subjected to criticism, however, due to its tendency to post faulty information from dubious sources. Most recently, the town of Salem, Massachusetts, has targeted Wikipedia-founder Jimmy Wales and charged him with affiliation to the pagan religion of Wicca.

Dressed in a puritanical black and white suit, Salem mayor William Goodyfellow spoke gravely of the website and its creator.

"Methinks this 'Wiccapedia' temptation that dwells inside the heathen's sin machine (computer) brings ignominy and damnation to its patrons. On behalf of the Almighty, I beseech all 'Wiccapedia' worshipers to repent!"

The controversy was ignited when a group of teenage girls was discovered by a concerned, torch-bearing mother deep in the woods which outskirt Salem. Under cover of a pup tent, the girls were found using a battery-powered laptop to explore Wikipedia entries. Although the youngsters weren't on the hunt for occult material-- but rather, searching for the astrological sign of Fez from That 70's Show-- the mother, Goody Miller, became hysterical when she learned the name of the website in question.

When Goody Miller relayed her account to the community, a town meeting was assembled at once. In a unanimous decision, it was agreed that Wikipedia creator Jimmy Wales must be kidnapped and put on trial as a "Witch-master." As a precautionary measure, attendees also concluded it was prudent to capture and drown Fez from That 70's Show-an aside barely worth noting.

Tightly fastened to a stake surrounded by a wide ring of hay, kindling, and computers, Wales spat the gag out of his mouth long enough to offer his testimony.

"Not since the kidnapping of Charles Augustus Lindbergh III on March 1, 1932, has an abduction been this noteworthy and shocking!" Wales assessed. "If somebody doesn't get a hold of my lawyer, I'll be engulfed in flames—much like the city of Chicago on October 8th of 1871."

The town of Salem has a brutal history of punishing those suspected of heresy without just cause or rationale. With righteous bluster, Mayor Goodfellow asserted that one cannot spell "Wikipedia" without the word "Wicca." When questioned about his error in rationale, the mayor's eyes became inflamed like the cinders that surround the lake of fire.

"Logic and reason be the traits of the Antichrist," said Goodyfellow. He then dusted off his hands, leaned back in his parlor chair, and grinned with immense self-satisfaction that bordered on the sin of pride.

The vindictive puritans relished the sight of the flames advancing toward a doomed and manacled Wales. His last words are chronicled below.

"You fools! I'm being persecuted on the basis of a thinly premised non sequitur—remotely reminiscent of the Seinfeld episode in which Kramer incurs the ire of The Van Buren Boys by inadvertently flashing their gang sign.

“Golly, I'm going to miss Seinfeld,” he added, ablaze and anguished. “It was so much funnier than That 70's Show...Pfft! What a shitty excuse for comedy.”

Thursday, October 20, 2011

The Timecrowave Infomercial




Gather 'round, both of you. Nick is poised to preface another script from his past that he rediscovered in a desk drawer.

I spent much of the summer of '09 in Chicago, enrolled in a class at the Second City and writing scripts for a nascent webisode series called The Furries. A reductive description is along the lines of It's Always Sunny in Philadelphia meets Aqua Teen Hunger Force. The premise was that a sleazy, ruined banker named Brendan lost his job and wife in the wake of the previous year's economic crisis. Forced to his rent-out his once-lavish apartment in order to make ends meet, three creatures move in—a squirrel, a bunny, and a bear. It remained a mystery, by design, whether they were humans in costumes or anthropomorphic animals.

The Furries had their own names, traits, and quirks, of course, but for my first treatment, I opted to focus on Brendan. He struck me as an embittered and remorseful character who would like nothing more than to relive his past in order to rectify the poor decisions he made. In a comedy with fantastical, sci-fi leanings, the ideal storyline for him involved time travel, naturally.

The ongoing, morbid gag, however, was that Brendan was doomed, that he could never overcome his past transgressions and return to the cushy lifestyle he once knew. Minus the charming mystery and redeeming qualities, I thought of Brendan as a socialite with swagger like Jay Gatspy who devolved into a slovenly loser like Al Bundy; his fate wasn't the sparsely attended funeral of Gatspy but rather a life of continual failure—and that was that.

With themes of dystopian technology and cruel fatalism, I decided that he should purchase a faulty time-machine from a shyster named Handsome Randy Carp—a kind of devil in disguise who behaved, yammered, and dressed like a smooth-peddling radio magnate from the 1920s. It was a fun challenge to write lines befitting of a sinister shill who makes esoteric references in outdated language.

The script went over well, long before the project petered out (as far as I know). The creator of the show—an eccentric 40-ish man with penchants for compassion and grandeur—asked me to write an infomercial to tie in with the story—a mock-promotion for the helmet-like device that made voyages to the past possible, The Timecrowave.*

I said yes and here it is.

###

EXT. BACK ALLEY – DAY

FRED carries a large disposal bag marked “Dead Rats.” He is understandably nonplussed by this activity. A cigarette dangles between his lips. He spots another carcass, gingerly bends over to pick it up, and lets out a grave sigh.

FRED: These lousy rat carcasses are everywhere. And who does the city pay minimum wage to clean 'em up? Me, that's who. For God's sake, I've got a degree in Communications and now I'm doing this for a living.

From a second floor balcony, a RUDE MAN turns over a garbage can stuffed with dead rats. A few of them bounce off of Fred's head and then plop onto the concrete.

RUDE MAN: Hey, chatty Cathy, I got some more rat carcasses for ya. Next time try majoring in something more useful, like Philosophy.

Repulsed and demeaned, Fred buckles his knees to scoop the latest batch into his disposal bag. HANDSOME RANDY CARP enters the scene, pushing a wooden wagon with squeaking wheels. Its load is box-shaped and concealed by a black cloth.

HANDSOME RANDY: Does the plight of this poor sap ring true for you? Have you found yourself stuck in a joyless existence, as forlorn as Herr Hitler the day his Aryan race was bested at the Olympics by the noble savages of Africa? If so, old Handsome Randy Carp has the solution for you.

FRED: A bottle of rat poison?

HANDSOME RANDY: Rat poison? Nay, perk your spirits, Hemingway; nary a soul fancies the company of a quitter, as the popular saying goes. What I've got for you is a doodad that can transport you into the past where you can make all the sound decisions you blundered years ago. Why, you can transmogrify from beggar to tycoon, Tom Joad to Mr. J.D. Rockefeller, with this wondrous contraption: The Timecrowave!

With brash showmanship, he pulls off the sheet to reveal his invention.

FRED: Timecrowave? Sounds ingenious. But how does it work?

EXT. STEEP HILL – DAY – CONTINUOUS

At the hill's apex, Handsome Randy stands beside his latest customer.

HANDSOME RANDY: Simply place this doohickey atop that noggin of yours, crony. Then press any odd day and time you like—say...August second, twenty-naught-one, when you made that odious choice to pursue the Telegraphy racket at the university. Next, shut the door of the Timecrowave and clod-hop down this hill quicker than Willaim H. Harrison's stint in the White House.

Fred obliges, but not without expressing misgivings. With his head stuck inside a microwave with a hole in its bottom, his trembling voice sounds in a muffled echo.

FRED: Isn't that dangerous?

HANDSOME RANDY: Jelly-necked cowards seem to think so. But just as picture-show star Marty McFly's time-auto won't work unless it speeds four-score and eight miles an hour, the Timecrowave won't conduct its abracadabra without the declination and acceleration offered by hoofing it down a steep hill. Now, off you skedaddle, Zelda.

With that he shoves Fred, who maintains a frantic and barely upright gait for a few strides before toppling over and tumbling Timecrowave-over-heels several times. He barrel-rolls twice, bashes his knees and hips in rapid succession, and mercifully approaches flat land. On the brink of nausea, he treacherously regains his footing, walks a few steps with aim akin to that of a demagnetized compass, and then collapses with a thud onto the grass.

HANDSOME RANDY: Wait for it...

Seconds later, Fred is consumed in a cloud of ashy and polluted smoke. Once it dissipates, his body has vanished.

HANDSOME RANDY: But our chum Fred isn't the only chap who's gone from philistine to phenom thanks to the Timecrowave. Have a look-see at these gratified patrons.

EXT. LAKE MICHIGAN BEACH-FRONT – DAY

Flanked by two buxom, bikini-clad WOMEN, CHUCK revels in the sunshine with his hands placed on the back of both ladies. He's in a neck brace and his face is severely bruised.

CHUCK: I went back in time and spent the money my past-self paid for my fat kid's braces on three hours with these high-class hookers. Thanks, Timecrowave!

INT. CASINO – SPORTS BETTING ROOM

His legs encased in rigid casts, BUCK grins broadly. He fingers a pile of loose change in his right hand. He sports a Lebron James jersey.

BUCK: I went back in time to bet my life-savings on King James and the Heat to beat the Mavs in last year's NBA Finals!

A nearby BOOKIE frowns, approaches Buck, and whispers into his ear. Buck's eyes bulge with sudden horror. He fumes and curses.

BUCK: Aw, son-of-a-bitch! Really? But they looked so good after game one...

EXT. GOLF COURSE – DAY

Fred has returned to the present, enfeebled by his nasty tumble, paralyzed below the neck and bound to a wheelchair. He speaks with the aid of a voice modulator a la Stephen Hawking.

FRED: Seeing the error of my ways, I traveled back to 2001, forgot to warn everyone about 9/11, and got paralyzed in the process. Since then, the scientific community assumes I'm a genius because of my stoic disposition and monotone speech. My proposed discovery of Alf's true home planet has generated shock waves in the field of astronomy. I consume two gallons of delicious orange Tang everyday and have learned to play games of Tetris with my tongue. I owe all this fortune to the Time, Time, Time...

The word repeats like a note of music from a broken record. A NURSE enters the scene to rap the malfunctioning modulator with her fist. When that does the trick, she promptly scoots off-screen.

FRED: ...Crowave.

EXT. STEEP HILL – DAY

Handsome Randy Carp poses with moxie. He cradles his diabolical product.

HANDSOME RANDY: Much obliged for the kind words, invalids. Now that your peepers have feasted on the splendorous effects of the Timecrowave, what's to stop you from purchasing one, viewer? Get off that ample keyster of yours and dial Handsome Randy on your rotary phone. Call within the next hour and I'll guess your body weight—free of charge. Bid good riddance to the present and give salutations to a sunnier future with the Timecrowave.

FADE OUT:



* While Google-searching “Timecrowave” for the hell of it, I discovered that Saturday Night Live featured a sketch about a product with the same name. Confoundedly enough, this is the second time I have written a piece I thought was original only to learn later on that—whether before or after the fact—SNL has done it, too. The other one, “Listen Drooly, I'm Going to Sue,” was about a dopey man who pursues legal action against a dog because of the animal's bad behavior. (The dog bit him but the man deserved it). Hmmm...Coincidence or fishiness? For now, it just feels like yet another kick to the creative nuts, but let me know if you spot a Lonely Island version of “Coach, the Short Story.” Together, we can take Lorne Michaels to court.

Thursday, October 13, 2011

Operation Fu/ Jam




1.) I hate to apologize for cracking jokes. Doing so leads to a vicious cycle of wicked temptation and guilt—and that is hardly a productive way to live. All these years after I wrote “Cubs Fan Wants to Waste Time Travel,” however, I'd like to amend a swipe I took at Steve Bartman—the hapless, bespectacled bystander who became the scapegoat for the Chicago Cubs after he deflected a foul ball that the left-fielder nearly caught in game 6 of the '03 NLCS.

“Bartman deserves at least a dozen vengeance wedgies,” I wrote.

While somewhat funny, that statement is not at all true. It's hyperbole. In actuality, Bartman has suffered enough—and then some. He was simply a tailor-made target for writers; he became the source of twisted inspiration for goofy Cubs fans like me. In all sincerity, he should be forgiven and treated with immense kindness from now on. In fact, that is an understatement. We should ask him for forgiveness. On that spooky night at Wrigley Field, the fallout from Bartman's mistake was a revolting display of humanity.

When I defamed Bartman, the context of the essay was that I wanted to travel back in time to prevent him from swatting away that fateful ball that was aloft in foul ground. I cited his mishap as the absolute most vital happening in history that begs to be altered and rectified. I'm still fond of that one, but I'm no longer on-board with its premise. No. It occurs to me now that it would be petty to enact Quantum Leap redemption on something as frivolous as the outcome of a baseball game.

The time has come to let go of that senseless resentment.

The same cannot be stated, though, about Shaquille O'Neal's decision to license his name and likeness to Shaq Fu rather than the NBA Jam series for the Super Nintendo.

Let me explain.

2.) As the number one overall pick in the 1992 draft, Shaquille O'Neal was drafted by the Orlando Magic. The dominant phenom quickly established himself as a premier big-man; he went on to win the Rookie of the Year award. Shaq was and remains charismatic, disarmingly goofy, and marketable, and so in no time he was fielding offers from the entertainment industry to cash in on the craze he generated. He appeared in commercials for Reebok. He starred in movies—once as a funky genie and another time as a black Robocop. He signed a record deal and dropped an album called Shaq Diesel.

And, oh yeah, circa '94, some lowlifes as Electronic Arts convinced him to fulfill the title role of one of the shittiest video games ever made.

Shaq Fu was in the one-on-one fighter genre; it was the kind of game in which the aim is to jump around a lot and punch and kick another guy until his life-meter runs out and he keels over. To my knowledge, most of the people who actually bought a copy of Shaq Fu jumped out of second-story windows upon completion of level 2. The game was maligned by everyone who bothered to care about it. All these years later, the offending cartridges dwell near the top of a steep mound of pop-culture junk.

NBA Jam, by contrast, remains a masterpiece. The vid stripped round-ball down to a two-on-two contest—a marquee duet vs. a marquee duet. NBA Jam merged the simplistic setup and permissible violence of Nintendo’s Arch Rivals with the aerial acrobatics of a coked-up superhero. The result was an addictive frenzy of give-and-gos, glass-shattering dunks, three-balls, and brutal shoves that ranks as one of the most beloved sports titles to be found on 16-bit systems.

Now, I don't intend to express contempt for Shaq. He is one of my absolute favorite NBA legends. By the time I entered junior high school, I lost track of how many times I had cheered as I watched a beastly Shaq-dunk on Sportcenter. Over a decade later in college, I howled in a rowdy fit of joy when I saw him hoist the Larry O'Brien trophy alongside of Dwayne Wade. I never cared much for his movies or his music, but I never begrudged the man for putting some effort into something other than what he was obviously born to do—which has got to be abusing and belittling chumps in the low-post while winning scoring titles and championships.

Regrettably, Shaq's likeness never abused nor belittled chumps in the low-post in either NBA Jam title for the Super Nintendo. I have never let out a rowdy fit of joy after posterizing 16-bit Karl Malone on a tomahawk slam courtesy of 16-bit Shaq. NBA Jam and Shaq are both great, nevertheless, but they don't overlap. When he signed a contract to endorse Shaq Fu, litigious sticking points too nerdy to dwell on prevented him from appearing in the console-import of NBA Jam.

I don't despise Shaq for choosing money over merit; I'm just disappointed. Like Bartman, I just have this unwavering, dumb urge to talk some sense into him—from one mistake-prone human being to another.

Another reason why I chose to obsess over Shaq for two weeks and write about him is that we were both born on March 6th. Sometimes non-famous people feel a weird kinship for celebrities who share their birthdays. I don't take horoscopes seriously, but by contrast, I get a quirky kick out of the notion that some weirdo who moonlights as a palm-reader gives Shaq and me the exact same advice on a daily basis.

Every time I glance at the astrologically based counsel foretold for Shaq and me in the newspaper, I expect to read, “Use your veteran-savvy to counteract the youth and athleticism of Dwight Howard. Also, you should probably scale back on making references to The Simpsons.”

That never happens, though, and so I regard astrology as an absurd but endearing footnote tacked on to the long list of faulty ways to make sense of the world.

Anyway, I hate to see my March 6th cohorts fuck up so wretchedly. Those lazy scientists still have plenty of work to do, but if, someday, those brainy pillow-humpers finally fulfill their potential by inventing a time machine, I would lobby to go Quantum Leap on Shaq for his role in the Fu / Jam debacle. What follows is an account of what would happen if only those lousy geeks who call themselves scientists would quit jerking off and get down to business.

Enjoy? Enjoy.

3.) At the culmination of an hour or so of research on Google and a week or two of stalking a video game developer with a creepy vice—as well as my main man Shaq—I'd determine the exact date and time that the Big Diesel entered the headquarters of Electronic Arts to ink the Godforsaken deal in question. A rough estimate of this date and time—to the clueless, hastily-guessing mind—is January 11th, 1994, at 9:15 a.m.

Before stepping inside of some sort of a dome-shaped, metal chamber with gamma rays and protons beams or some shit (just to give you a few ideas to build on, scientists), I'd have to visit a costume shop. Part of my master-plan involves dressing up like Luigi (Mario's brother). I'd buy a lighter and something that could harm people, too. I'll explain why later.

With a frenzied swirl of electrons, I materialize in a back alley of the Electronic Arts building—located in Redwood City, California. I straighten my tussled overalls and adjust my green cap before noticing a frumpy and astonished homeless man. Dumbstruck, he blinks at me repeatedly and then tosses his bottle of cheap whiskey in the air.

“I've had enough of this.”

I lunge and catch it before the glass shatters against the concrete.

“Are you crazy?” I scold. “There's plenty left in here and this is probably gonna be the highlight of your day.”

He considers my point, nods gratefully, and accepts the bottle as I hand it back.

I check my watch for confirmation of the date, year, and time—all precise.

“Not bad, scientists,” I say as I hustle alongside the EA building toward the entrance.

The lobby is stark but ornate. The floor is marble and the furniture, while sparsely placed, is lavish. The walls are decorated with framed posters of EA hits such as John Madden Football and NBA Live. I admire the scenery for a beat and then hurry past a burly security guard with watchful eyes and a shaved head. The secretary behind the desk is likewise suspicious.

“Can I help you?” she says. She poses her question with drawn-out uncertainty.

“Indeed you can, ma'am,” I say. “I'm an acquaintance of Mr. Chaz Flenderson, one of your most esteemed developers.”

“I see...” she murmurs, looking over my shoulder to lock eyes with the security guard.

“Yes. Could you be a dear and please tell him Luigi is here?”

“May I ask what your visit pertains to?”

“You may. Certainly. Only—Mr. Flenderson would prefer some discretion on the matter, and I simply can't breach his trust by giving you full disclosure, ma'am.”

The heavy clacking of the security guard's shoes resounds throughout the lobby. I picture him squeezing his holstered nightstick. As he approaches, I rub my mustache for a second—a nervous gesture that I quickly correct by letting my hands slink past my waist. I breath out, assuming the posture of a man with nothing to hide.

“Is that right...Luigi?” Her eyes roll. She exchanges haughty glances with the man poised to club me. “And do you have a last name?”


“Brothers,” I say, shrugging. “Trust me, he'll know who I am...ma'am.”

She grins wickedly and clicks her fingernails against the desk. Her hand inches closer to the phone. I don't turn my head but I know the security guard is really bearing down; his steamy breath seeps underneath my collar and my whole body wells up with beads of sweat.

“Well, one way or the other, this ought make for quite a show,” she says.

She grabs the phone and dials the extension number.

“George,” she says to the man lurking beside me, “If Mr. Flenderson wants nothing to do with this guy, I'm going to look the other way. OK?”

My head swivels to see George nod. He seems intent on crippling my retinas.

“Yes, ma'am,” he says.

I can hear a faint dial-tone, and then another.

“Politeness,” I remark to George. “That's where it's at—am I right, George? Whatever happens, just know that I say ma'am, too.”

George says nothing, but as he continues to stare, I gather that his manners have limitations.

The dial-tone ceases. A muffled voice succinctly answers the phone.

“Hello, Mr. Flenderson. There's a man in the lobby asking for you. He doesn't have an appointment. He is dressed in green overalls like Luigi and he refers to himself as such. He says you're expecting him...”

The voice reprimands the secretary. Her bemused expression turns somber; she becomes like a misbehaving beast getting whipped by its master.

“Sir, you don't have to hiss at me,” she says, flabbergasted. “Your wife and kids? What do they have to do with this?” Her glower is more wrathful than George's when her eyes meet mine. “OK...OK. I'll send him right up.”

She pump-fakes a slam of the receiver, thinks better of it, and then sets it in place with delicacy. She engulfs her elfish face in her hands. George gets the hint, exerts a let-down grunt, and backs off. I'm exhaling with so much relief that I nearly forget to breathe in. The secretary gestures toward the elevator without making a peep.

“Much obliged, ma'am,” I say.

I press the “Up” button and tap my feet anxiously as I wait. For the first time I become aware of the barely audible radio. It's a hit by Nirvana that I remember and love. Despite my better judgment and in too ominous a tone, I sing along loud enough to be heard.

“Well, I swear that I don't have a gun,” I sing. “No, I don't have a gun...”

A ding echoes throughout the lobby and I board the elevator.

Outside the window-plated lobby, a sleek limousine pulls up. The Superman logo is emblazoned on the side of the back-right door. A behemoth athlete steps out, one incredibly long leg at a time. He is dressed casually, in a black shirt and blue jeans, and is soon accompanied by another passenger from the limo—a tuxedoed man much burlier and darker than George.

Shaq lets his bodyguard lead the way. Once inside headquarters, Shaq nods respectfully to George. His pearly grin vanishes as his ears perk up; he shakes his head and struts toward the secretary.

“Excuse me, ma'am,” Shaq says with a wink. “With all due respect, it's cool if you like grunge. However, I'm kind of an important client, and while I'm here, I'd prefer to listen to something with a bit more flavor.”

He leans his 7'2” frame over the desk and presents to her a CD. In an instant the rancor I stirred in her is gone.

###

Having endured the humdrum piano twinkles of the elevator music, I step off hoping to hear Cobain's vocal-mimicking solo. No such luck. The Notorious B.I.G. has overtaken the stereo system.

“What gives?” I wonder aloud.

A lanky, pale man with thinning hair charges down the hallway to accost me.

“I could ask you the same damn thing,” Flenderson says.

He latches hold of my shoulder and roughly shepherds me into his office. He bristles with contempt and agitation as he points his finger to my forehead.

“What gives? I specifically told the agency not to send me any guys while I'm working! I never know when my wife's gonna stop by to nag my ear off. Put yourself in my shoes, numb-nuts. How would it look if she caught me with a male prostitute in my office?”

My cheeks flush and I stammer, unprepared for the most unsavory part of the mission.

“My bad. Um, afterward, I can give you some sort of a...coupon.”

“You're gonna have to do better than that, slim!” he shouts. “And you're not even tall and sculpted like the other Luigis. Christ. What do you weigh? A buck thirty-five?”

“That's a remarkable guess."

“Shut up! Do you even have a big penis?”

“Meh,” I shrug.

He stomps toward the phone atop his desk.

“That's it. I'm calling security.”

“You didn't let me finish,” I blurt out. “I was going to say, 'Meh. It's big enough.'”

He slams the receiver down. In a 180-turn of emotions, he approaches me and swats my butt.

“Great answer! Confident but nonchalant. That's what I like to see. Put a positive spin on the manorexia and I'm sold, blue eyes.”

My eyes narrow as I gaze at the carpet. I scratch my mustache.

“Um...don't think of me as...manorexic. Look at this way: I've got the... metabolism of—uh--a marathon runner?”

He clasps onto my slender jawbones and smooches my cheek. It's revolting. There is no cause for tongue when kissing someone on the cheek.

“Brilliant! Now do me a favor. Shut up and wait in my office or else I'll kill you. I've got an important meeting with a major client. Shouldn't take longer than 20 minutes, and after that, Luigi, we'll bang one out to celebrate.”

His eyes flicker with panic as the elevator chimes on our floor. He shoves me onto his leather couch, hysterically hushes me, and shuts off the light as he leaves the room.

I gather my breath and blink deliberately. I will need some time to gather my composure for the next phase of Operation Fu/Jam. A moment later, I overhear Flenderson's exuberant greeting.

“Hey, Shaq-Man! How the hell are ya?!”

Shaq's relaxed baritone is much harder to translate.

“I'm good, Mr. Flenderson. This is Rodney, my associate. Please don't touch us.”

“Won't happen again, big guy! Now, follow me to the conference room. We'll get this whole thing finalized and inked.”

“All right.”

Heavy footsteps down the hallway. A door opens then shuts.

I exhale with abounding tension, get on my knees, and sign the cross. I pray to a higher power.

“Dear Batman, please bless me with the respect you displayed for Alfred, the guidance you offered Robin, and the ass-kicking prowess you showed every time you fought the Joker. Bat signal Off.”

With newfound courage, I rise to my feet. I wriggle the handle of the glass-plated door and grin wolfishly.

“Looks like someone forgot to lock the door. Heh, heh.”

In the conference room, Shaq and Rodney lounge on plush swivel chairs. A distance of roughly 15 feet away, Flenderson rests his duff on a polished desk made of redwood. The desk is flanked by a waste basket. Figures and pie-charts are drawn on a chalkboard behind Flenderson. He thumbs over his shoulder to emphasize a selling-point.

“That graph marks last year's tally of the best-selling fighting games, gentlemen--”

Flenderson stops as his ears perk and detect a calamity of glass shattering in tandem with the manliest grunt this side of the Mississippi.

“Whoa! Did you hear that?”

“No,” Shaq replies.

“Really? 'Cause I could've sworn I heard the sound of glass br--”

Rodney bolts out of his seat.

“Hey!” he barks, his fists balled. “Your biggest client just said—in not so many words—that he didn't hear shit! Now don't argue with Shaq. Is that clear?”

“Yes, sir,” Flenderson answers, meek and belittled. He clears his throat rigorously, loosens his tie.

“As I was saying,” he continues. “With the right touches of marketing and a little bit of good fortune, I promise you this: Shaq Fu is going to outsell Mortal Kombat.”

I burst through a glass-plated door again. Transparent shards rain on the carpet as I hit the floor. Flenderson gestates wildly. Shaq and Rodney stand in unison and in a heartbeat Rodney assumes the role of Hakeem Olajuwon by boxing out Shaq. The conference room resounds with shocked profanities. I groan miserably for a second before jumping to my feet. I yank a shard from my forehead. Blood geysers out at first and then seeps steadily. I point to Flenderson.

“This man is full of bull-crap, Shaq. He's a creepy shyster. Don't believe a word he says.”

Flenderson fumes in indignation.

“Neither door was locked! Jesus. What's wrong with you?”

Shaq Fu is going to be a commercial and critical disaster. I'm telling you: It's not worth the money, Diesel.”

“Dammit. All you male prostitutes dressed like Nintendo characters are the same. Can't even wait 'til after noon to get high.”

“I'm not a male prostitute,” I declare. “You fool! You've been duped by a struggling writer from the future.”

“A struggling writer from the--” Flenderson chokes on his own acidic spit. He reaches for the phone. “I don't buy it, kid. Let's ask George for his take on the matter.”

Rodney pounds his chest once. Twice. He looks poised to trounce me.

“Na. I got this.”

“Hold on!” Shaq bellows. A moment later he's snickering, but with a trace of compassion. An odd hint of levity overcomes the hostility in the room.

“Come on,” he gestures to me. “Now, just to review: Pale Spud Webb over here just launched himself through two panes of glass, yapping about video games and how he's from the future. He's hurt. He's bleeding. You really think he needs a beat-down? That's whack. He needs a psychiatrist.”

I nod in slow repetitions. It strikes me that—regardless of its outcome—this mission won't be a lost cause.

“Mr. O'Neal, on behalf of those afflicted with mental illness everywhere...” I begin, my voice quavering. But it soon occurs to me that expressions of sentiment are wasteful at present time. “Forget it. Thanks for buying me some time.

“Listen, Shaq: You're just embarking on the start of a career that will span until 2011. You don't think I'm from the future? Well, get a load of this: You're gonna win four championships, but none with the Magic. As a free agent, you will sign with the Lakers for oodles of cash. You're gonna think your All-star shooting-guard is an asshole and he'll think the same about you, but you'll still win trophies; Phil Jackson will make sure of that. Later on you'll dunk all over Dirk and the Mavs to earn a fourth ring alongside of D-Wade.”

“Four rings?” he says with intrigue. He snickers. “Damn. Does my free-throw shooting get any better?”

“Shit, no,” I tell him. “Anyway, all this is to say that you're a legend in the making, and mark my words, Shaq Fu is far beneath the standard of excellence that you stand for. NBA Jam is a different story, though. It is NBA Jam—not this God-awful mess that will be even worse than Clayfighter—that will do justice to your Hall of Fame legacy.”

“Hmm,” Shaq considers, deep in thought. “NBA Jam. You know I'm in the arcade version of that game, right?

My reply is petulant.

“Yeah, Shaq. I get that, but I don't own an arcade machine, and I don't know anyone who does, either. Jeez. Not everyone's a millionaire or a winner on the showcase showdown.”

“What the hell is he babbling about?” Flenderson snorts.

Shaq swivels his head to address Flenderson.

The Price Is Right, fool.” He turns back to me. “That was a solid pop-culture reference.”

“Thanks, Big Diesel.”

“No problem, Big Imagination.”

We bump fists.

Something occurs to me.

“Wait, you've played NBA Jam on the arcade, haven't you? Come on, man, you know that game is--”

“Insanely bad-ass,” Shaq finishes my sentence.

“Well, then what's the holdup?” I plead. “You know it's gotta be one or the other. Why can't you just say no to Shaq Fu?”

“For the same reason I'm gonna sign with the Lakers in a few years. The dollar signs. Plus I'm an individual. I conquer uncharted territory. I make bold decisions. Tack on the fact that I can play the arcade version of Jam. At home. 'Cause I'm a millionaire. There's your answer.”

My rhetoric is derailed. I'm on the brink of surrender until I catch sight of Flenderson's smug and triumphant smirk.

“This guy's a total weasel, OK? And weasels swindle people. Do you really want to sign that contract without having your lawyer read it first?”

“I already did, son,” Rodney chimes in.

Flenderson and I exchange looks of surprise.

“Wait. You're a lawyer?” we ask, united by bafflement.

“My lawyer-slash-bodyguard—yes,” Shaq says. “Rodney, tell these poor skeptics the definition of habeas corpus.”

“'A writ issued to bring a person before a judge or court in order to release that motherfucker from unlawful detention or restraint,'” Rodney replies, rife with righteous swagger. “Ya racist bitches.”

He points to the contract atop the desk and barks at Flenderson.

“Your secretary faxed me that shit yesterday. Get a handle on your business, ah-ite? On behalf of my client, pending his signature, we approve.”

Shaq grins wanly, but there is a hint of sadness in his eyes as he stares at me.

“Satisfied? Can we call an ambulance for you now?”

I bury my glass-slit face in my glass-slit hands for a moment. I reach into my pocket and grab hold of my last resort.

“It's a shame it had to come to this,” I say gravely.

I start to unbutton the shoulder straps of my green overalls.

“Are you undressing?” Flenderson wonders. “What's the deal? I thought you said you weren't a male prostitute.”

I reveal dinky fireworks strapped to my sweater. They're “Black Cats,” known to sparkle and cause very mild explosions. I spark the wick with my lighter and deliver my ultimatum.

“Decision time, Shaq! Tear up that stinking contract and I'll snuff out the wick. Otherwise, we all die.”

The bluff works on Rodney, at least. He gasps, screeches, and then charges past me with a shove that nearly knocks me over.

“Get the fuck outta my way, Unabomber!” he yells. “Security! Help!”

As Rodney rushes to the stairwell, Flenderson snaps out of his terrified stupor and ducks behind his desk.

“Sweet Jesus!”

Shaq merely sucks his teeth and shakes his head with equal parts mirth and disappointment.

“Unbelievable.”

He reaches across the desktop and tears off a few inches of Scotch tape from the roll. He walks up to me. With poise that almost seems eerie, he stoops over to unfasten the string of fireworks stuck to my torso. I don't try to stop him. He doesn't burn his hand as he rolls the Black Cats into a shape that approximates a sphere. He lets out a quick yawn as he applies the tape.

From a distance of roughly 15 feet, Shaq takes aim at the waste basket.

“Three, two, one...”

With that, Shaq heaves the lit-sphere aloft. It arches poorly and plops down three feet away from his target. The wad of Black Cats thumps on the desk—atop the vile contract for Shaq Fu.

The (oddly long) wick vanishes and an instant later the fireworks flare, pop, and shriek in a pyrotechnic frenzy that is somewhat impressive and entirely noble. The contract is set ablaze. It crumbles with advancing blackness and disintegrates into smoldering ash. Our ears ring with the sound of a flat-lined pulse on a cardiograph. With tears streaming down his cheeks, Flenderson pokes his head up from underneath his desk and wafts away a cloud of smoke. He gapes at me and utters obscenities that I can't even hear.

Shaq bends his knees and bellows with tremulous joy into my ear.

“My God! You're right about NBA Jam. How could I ignore the signs?”

Shaq fishes for something in his back pocket. It's a newspaper clipping of some sort. Flenderson wipes his tears and stomps over to us, fuming and flabergasted.

“No, no, he's not right about anything!” he hollers. “He's a lunatic and he's going to jail. Listen, we'll reschedule the signing for tomorrow, print out another copy--”

“Pipe down, Weasel!” Shaq reprimands. He turns to me and reads with boisterous glee. “My horoscope for today: 'An unexpected encounter with a stranger from a different part of the space-time continuum may change your life for the better.'”

I laugh like the lunatic Flenderson thinks I am.

“That's my horoscope, too. We have the same birthday, Shaq!”

We bump fists again.

“Horoscopes?!” Flenderson snarls. "Do you really believe that nonsense?”

“Uhhh...” Shaq begins, mockingly. “Do you really think now is a good time to dis horoscopes?”

“I know, right? Those things are...totally legit,” I say to Shaq. “Who talks trash about horoscopes? What a lowlife.”

“Lowlife,” Shaq echoes, nodding his head. “Such a pithy and biting derogatory term for a bad person. I like it, but don't overuse it.”

“I won't,” I lie.

Down the hall, we can faintly hear a stern voice exclaim warnings.

“Security! Drop your weapons!”

It must be George. Flenderson curses us feebly as he escapes the conference room.

“So, how 'bout it,” Shaq says. “You got an escape plan, McFly?”

I snap my fingers and point to him, my thumb raised like a trigger.

Back to the Future. Nice. Well, uh, the trouble is, in 2011, time travel is possible, of course, but the whole thing is in its infancy. Ideally, I should have leaped back once you made the decision to appear in NBA Jam...

“Oh, and can you do me a favor and box out the security guard before he gets in here and pummels the shit out of me?”

“Sure thing, buddy.”

With the bulk of his backside clogging the oblong opening in the door, Shaq plants his feet, spreads his wingspan, and acts as a blockade. George, Flenderson, and Rodney surge and grunt from the other side, trying in vain to make Shaq budge.

“Thanks. Like I was saying, they must still be working some kinks out of the time machine. The scientists, I mean.”

“Pffft. Scientists,” he scoffs.

“Oh, they're so lame and overrated!”

“Couldn't agree more,” Shaq says. “Also, I think someone's zapping me with a tazer gun.”

“And why do they wear those stupid, white lab-coats?” I go on.

Electrons gradually begin to swirl and flash about my body. My skin flickers like a strobe-light gaining speed as it rotates.

“Hey! Here we go. Finally.”

Another zap sounds and Shaq lets out a concise but agonized cry.

“Yup. Definitely a tazer gun. Vision blurring...knees wobbling...can't keep this up for much longer...”

“By the way, Shaq,” I say, oblivious to his pain, “Years from now, if you spot someone who looks a lot like me accidentally spying through your kitchen window...go easy on him, will ya?”

Shaq scowls at me, on the brink of collapse, but his ire is soon chased off by a magnanimous smirk.

“Oh, Big Imagination. I can't stay mad at you.”

“Ditto, Big Diesel,” I say. “Ditto.”

His legs give out and he slumps to one knee. Three men storm past him with intent to pulverize me.

No matter. I dodge the first punch when I Quantum Leap.

###

4.) Back at the laboratory, I emerge from the time machine and shove past gawking and applauding scientists. I give the finger to photographers and snub the president. I speed on the drive home and pay no mind to Stop signs. I lock the doors, crank up some Beastie Boys, and two minutes later, my 16-bit Shaq posterizes 16-bit Karl Malone. The glass shatters with the force of the dunk. I pause the game and touch the wounds on my face. They were definitely worth the trouble, I realize, and for awhile I feel the same way about everything else, too.

Thursday, October 6, 2011

The Simpsons Script 1




“I've been reading a lot of scripts lately. You know, it's a lot cheaper than going to the movies.” --Troy McClure


As I ransacked through desk drawers that stored stacks of torn folders thick with papers that I filled up with ink years ago, I found something other than what I was searching for. Wasted potential? Crushed expectations? No and no. Don't be so negative. What I came across had a cover page that more or less looked like this:

Prime-time TV Writing
The Simpsons
“Insert Title Here”
Written by
Nick Olig, 15th grader

Allow me to explain this cover page. The college I graduated from offers radio, TV, and film courses that are fairly respected by those who want nothing to do with more practical pursuits like marketing, sales, and computer programming. Now, it is a bit loopy for unknown and unconnected Wisconsinites to write scripts for shows that are produced far west in California. Looking back, more so than a kind of minor league system, the class seems like a fantasy camp for addicts of cartoons and C.S.I. In truth, neither Seth MacFarlane nor Michael Bay called my professor on a weekly basis to ask, “Who are your top prospects, Doug?” Even so, every semester, scripts from UWO are submitted to contests, and the ones that are well-received at least provide their scribes a dozen or so positive words to add to their resumes. The same semester that I won a short story contest (to fill up some empty space on my resume), I also wrote an episode of The Simpsons. I couldn't come up with a title for it in those bygone days when I told others I was a 15th grader rather than a junior in college. And years later, I still don't know what to name it. “The Simpsons Script”?! Horrible. That's almost worse than “Insert Title Here.” I don't even warrant a D-minus for some of my titles.

The setup of act one and some of the lines and gags are passable, though, and so I have decided to post the first four or five scenes. After that, my plot-line stumbled a bit (that happened years ago), and some of the pages have gone missing (as I discovered today). There is a slim chance that the lost content eventually will turn up. As far as the likelihood of that is concerned, read this paraphrasing from an episode of The Simpsons:

INT. LIVING ROOM

Homer walks in with movie rentals in tow.

MARGE: Did you bring home a copy of Waiting to Exhale?

HOMER: No. They were all out. They put me on a waiting list but told me not to hold my breath.

And so the family watches Paint Your Wagon instead.

End scene.

OK. Now read part of a script that will never be produced. Come on. Be like Troy.

ACT ONE

FADE IN:

EXT. SIMPSONS' HOUSE – AFTERNOON – To Establish*

INT. LIVING ROOM

BART and LISA lie prone on the carpet, elbows pressed to the floor, chins resting on opened palms. They watch TV with bated excitement.

ANNOUNCER (OFF-SCREEN): Live from Springfield, home of the world's most obscene parakeet, it's the Krusty 30th Anniversary Special! And now, here he is, the man who puts the “acidic” in “Hasidic,” Kruuussstttyyy the Klooowwwnnn!

The curtain raises. The children in the crowd cheer hysterically. KRUSTY is clad in a dapper tuxedo.

BART: Wow. When's the last time you saw Krusty in a tux?

LISA: I think it was when he did that tasteless sketch that led to the cancellation of the short-lived Krusty After Dark—the one in which James Bond is captured, starved, and forced to resort to cannibalism.

BART: (SNICKERING) Oh, yeah. Those Pussy Galore jokes worked on so many levels!

INT. KRUSTY'S STUDIO – CONTINUOUS

KRUSTY: Hey, hey, kids! (GOOFY LAUGH) Thank you, thank you. Thirty years on TV. What a dream come true. I couldn't ask for more. Sure, it would have been nice of the network to give me a prime-time slot for this thing, but hey, it's sweeps week and I guess I can't keep up with the drunk broad from New Jersey. What can you do? Anyway, in honor of this fine occasion, Krusty has something very special lined-up today...I'm taking the day off to get plastered at the bar!

INT. LIVING ROOM

Disappointed and disgusted, Bart and Lisa spring to their feet. Bart balls up his fists.

BART: He pulled this same stunt on Arbor Day!

LISA: ...And on that Jewish holiday he just made up on the spot. “Rokmoklahavven.”

BART: You mean that's not a real holiday? I wasted hours on that “Rokmoklahavven” greetings card!

INT. KRUSTY'S STUDIO

The youngsters bicker and boo. An ANGRY BOY wads up a spit ball while he mouths, “You son-of-a-bitch.”

KRUSTY: Now, now, settle down. Sideshow (FAKE-COUGHS, MUTTERS A MUFFLED NAME) is here to put himself in Krusty's shoes.

With trepidation, SIDESHOW MEL joins Krusty at center stage.

SIDESHOW MEL: Now, Krusty, you do know that remark about the shoes is purely figurative...

Krusty hops around as he removes his shoes one at a time.

KRUSTY: Like hell it is.

FLASH FORWARD TO:

Bent over with his head on level with Mel's kneecaps, Krusty exerts a series of grunts as he shoves Mel's biggish foot into his own modestly sized red shoe. The bruised toes on Mel's other foot have already been forced through the vinyl tip. Krusty grumbles, thrusts, and pounds the tip until the toes on Mel's other foot horridly burst through, too. An ominous pop sounds. Mel shudders as Krusty rises to his feet and lets out a satisfied sigh.

KRUSTY: There. Go get 'em, new guy. So what if you've got a broken toe? It's time to break a leg.

He swats Mel on the back and walks offstage.

SIDESHOW MEL: (GNASHING HIS TEETH) Greetings, children. As a bit of an overture, I wish to regale you with a splendid impression of former Prime Minister Lord James Callaghan.

INSERT: Dumbfounded, the whole audience blinks as one.

OFFSTAGE: With his tie already loosened, Krusty warily raises an eyebrow. MR. TEENY lights a cigarette for him. Krusty nods a quick thank you and swipes his hand by his neck in a cutting gesture. Mr. Teeny likewise nods. The monkey then picks up a nearby bucket marked “Weasel Guts.” With a mighty heave, he hurls the bucket's bloody contents onto the bone that juts out from Mel's hairdo.

SIDESHOW MEL: (GRIM) Oh...dear. Well, onward with the show, Mel. Onward with the show...

INSERT CLOSE-UP: A malicious ROTTWEILER snarls inside a portable cage. A ZOOM-OUT shows Mr. Teeny unlatch the door. The dog rushes for Mel, leaps in the air, and clamps its teeth on the bone. The kids in the crowd are appeased by this; they point and cheer as Mel falls and flails.

ON LISA – HOLDING THE REMOTE

With narrowed and fiery eyes, Lisa thumps the power-button with her thumb.

LISA: This is a new low for Krusty. I can't bare to watch.

BART: I hear ya, Lis...but what else is there to do?

The two peer through the window.

EXT. EVERGREEN TERRACE

The sun shines majestically above chirping birds and smiling passersby on the sidewalk. In the road, an ice cream truck has turned over. MILHOUSE AND JANEY raid the supply with chocolate smeared on their delighted faces.

INT. LIVING ROOM

These happenings fail to excite the Simpson children.

LISA: (YAWNS) I see your point.

She turns on the TV. Like her brother, she looks sedated. The noise of cheering children and snarling dogs fills the room.

SIDESHOW MEL: (OFFSCREEN) (STRUGGLING TO IMPERSONATE) My countrymen call me “Lucky Jim,” but if that were truly the case, why was I born with such woeful vision?

KRUSTY'S AUDIENCE: (O.S.) Boooooooo!

EXT. MOE'S BAR – TO ESTABLISH

INT. MOE'S BAR

Krusty gulps down a shot. He is the only patron, and a solemn one, at that.

MOE scrubs the inside of a glass with a very long and colorful handkerchief. He hands it back to Krusty, who stuffs the gaudy cloth back into his pocket.

MOE: Thanks, stranger. Ever since I splurged on that smutty arcade game, I got no cash to spare for clean towels.

KRUSTY: Don't mention it.

MOE: Hey, pardon my ogle, but...don't I know you from somewhere?

KRUSTY: (GROANS)

Krusty reaches into his pants pocket for his trademark clown nose. He puts the thing on and points at it.

MOE: Holy crap, you're Krusty the Klown!

Krusty nods and removes the red nose. Moe hurries to fill a glass with beer.

MOE: You know, I might hate myself in the morning for doing something generous, but what the hell, have one on the house.

KRUSTY: Thanks.

The entrance door swings open. Along with LENNY and CARL, HOMER bursts through.

CLOSE-UP ON MOE

The hot-tempered bartender grabs Krusty by the collar and yanks him nose-to-nose.

MOE: (RAGING YET HUSHED) That drink was our little secret. You got that, clown?

Krusty is horrified. He nods. Moe's rage vanishes as he puts an arm around Krusty and greets the newcomers.

MOE: (CONT'D) Hey fellas, look who it is!

Homer and his coworkers vacantly look at the clown.

KRUSTY: (GROANS)

He reaches into his pocket and again applies his signature nose.

HOMER/LENNY/CARL: Holy crap, it's Krusty the Klown!

Krusty takes off the nose as the men occupy the stools flanking him.

HOMER: Mr. the Klown, your comedic talents have completely freed me from the awful pressure of being a positive role-model to my children. (EMOTIONAL) Thank you. (beat) Now, let me buy you a beer.

KRUSTY: Na, pug-nose over there just gave me a--

His gaze meets Moe's he detects the murderous glint in the bartender's eyes.

KRUSTY: I mean, sure! Why not? I'll have another, but just one. And that's only if I don't have to pretend to care about your problems. Or listen to any of your stories...unless there's a horny housewife in there somewhere.

HOMER: Woo-hoo!

EXT. MOE'S BAR – LATER

A slug line reads “42 beers, 14 shots, 5 mixed drinks, and a bottle of glue later.”

INT. MOE'S BAR

Pleasantly sloshed, the men sway on their bar stools. Krusty, the center of attention, is about to finish an anecdote fit for a locker room.

KRUSTY: ...So I said to Pacino, “Sure, Natalie Wood was pretty good, but I'd rather bone Sharon Stone.”

They erupt with laughter.

LENNY: Holy smokes. A six-figure audit, four OD's, and a bout with the clap. I envy you, Krusty.

CARL: Yeah, what a lifestyle. Hey, give us the scoop, Krusty. How many women you been with, anyway?

KRUSTY: Eh. Who keeps track?

LENNY: Seven.

CARL: Eleven.

MOE: Three.

KRUSTY: (SIGHS) OK, OK. Let me see...does a tipsy Bea Arthur count?

LENNY: Meh. I guess so.

MOE: Whoa, whoa, that counts? All right! That ups my total to four, then.

KRUSTY: Well, that puts me at...two-thousand, eight-hundred and twelve women. Plus a weird close-call with David Bowie.

Following a hushed awe, the boys fidget.

MOE: Huh. (beat) David Bowie.

LENNY: So, how 'bout you, Homer? What's your number?

Homer reacts to the question like it's a whiff of smelling salt. Deep in thought, he strokes his five o'clock shadow.

HOMER: Well, let me see...there was...her...and then...add the zero...(beat) Marge. Just Marge.

Aside from Krusty, all involved scoff at Homer.

MOE: For God's sake, Homer, I thought I was pathetic, but I got you quadrupled.

LENNY: Yeah, and I got you sevtupli—um, septaruple...uh...I've boinked more broads than you!

KRUSTY: Ah, you can't fault the guy for not cheating.

CARL: Maybe so, but what about high school?

MOE: Yeah. Plenty of people scored in high school. Even me. Thank you very much, Marvin Gaye record...and narcolepsy.

HOMER: Hey! For your information, I got to second base with Shirley McDonald.

MOE: The head cheerleader? You felt her up?

HOMER: Well, not exactly. She was my partner in a three-legged race that took place on a baseball diamond.

For this admission, Homer is cackled at.

HOMER: Shut up! We may be a little old-fashioned, but Marge and I share something special. Now, if you'll excuse me, I'm going home to romance the woman I love after a heated pep-talk to my whiskey-wang.

With that, Homer storms for the exit. Krusty pursues and catches him by the door.

KRUSTY: Don't worry about those schmucks. They're just jealous of you and me both.

He jots down his phone number and hands the napkin to Homer.

KRUSTY: Listen, it get lonely at the top, so if you ever want to hear a story about how great I am, or if you can score some primo reefer, give me a call, will ya?

As he sways to and fro, Homer eyeballs Krusty.

HOMER: Who the hell are you?

KRUSTY: Aw, for the love of...

He digs into his pocket for the clown nose.

INT. BEDROOM – LATER

As Homer barges in, the door thwacks against the wall. He flips on the light, staggers toward the bed, and kisses Marge.

HOMER: Listen, baby, you're the greatest thing that ever happened to sliced bread. And I'm not just saying that 'cause I threw up on some roadkill on the walk home.

MARGE: (YAWNS) Well, you're home early. The bars don't close for another five minutes.

Homer wrangles with his shirt, trying to remove it.

HOMER: Yeah, the jerks at Moe's were being a bunch of Lenny and Carls. They were giving me the third dimension 'cause you're the only one I've done the old sweaty-snuggle with. But I say there's nothing wrong with weirdos like us that embrace premarital Cassidy. Am I right?

MARGE: (NERVOUS LAUGH) Yup. You're right, Homey.

As he fumbles with his zipper, he casts a leery gaze on her.

HOMER: Hold on...I know that laugh. That's the same laugh you let out when I asked if you'd seen my Members Only shirt. Two days later Lisa told me you donated it to those monsters at the Salvation Army. They revoked my membership and gave it to a freaking hobo! (beat) Are you hiding something from me?

She pulls the covers over head.

MARGE: No, no, no. Of course not. There. It's settled. Now let's go to sleep and hope you're too drunk to remember this conversation in the morning. (NERVOUS LAUGH)

Homer tugs on the covers like a magician revealing the ugly truth. He exposes his wife to his accusatory pointer-finger.

HOMER: You are hiding something. What is it, Marge? I demand to know.

Marge rubs her forehead, swallowed by dread.

MARGE: (SIGHS) Homer, you're the love of my life and we got this far without me ever having to bring this up. But the truth is, before I met you...I once slept with another man.

Unfazed, Homer backs away from the confrontation. He hops on one foot and clumsily tends to stepping out of his pants.

HOMER: (NONCHALANT) Hmm. Slumber party with a dude, eh? Well, that's kind of odd, but I can handle it. Who was he? Smithers?

MARGE: No. Homer, you don't understand. When I say “slept with,” that's a nice way of saying that—before I knew you existed—I had sex with another man.

HOMER: (AGHAST) What?!

He loses his balance, tips over, and whacks his head on the dresser. He won't regain consciousness until morning.

END OF ACT ONE

###

Hey, it's me again. This is a suitable place to stop for now. There will be a little more to come. Homer has a funny nightmare in the next scene, and after that, he confronts Marge in the kitchen and you'll find out which semi-well-known character bedded her in high school. (In my script, at least.)

“If you've come this far, maybe you're willing to come a little further. You remember the name of the town, don't you?”**

Springfield.



*Not all of the formatting herein is done properly. You know what, though? If you're the type who models his scripts after what he reads on my blog, the time has probably come for you to abandon your hopes and dreams.

** I'm not sure why I slipped in a Shawshank quote at the end. Standards have fallen.